Monologue à plusieurs voix: Montaigne et le dialogue

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Monologue à plusieurs voix : Montaigne et le dialogue. / Toftgaard, Anders.

In: Revue Romane, Vol. 45, No. 2, 2010, p. 275–295.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Toftgaard, A 2010, 'Monologue à plusieurs voix: Montaigne et le dialogue', Revue Romane, vol. 45, no. 2, pp. 275–295. https://doi.org/10.1075/rro.45.2.06tof

APA

Toftgaard, A. (2010). Monologue à plusieurs voix: Montaigne et le dialogue. Revue Romane, 45(2), 275–295. https://doi.org/10.1075/rro.45.2.06tof

Vancouver

Toftgaard A. Monologue à plusieurs voix: Montaigne et le dialogue. Revue Romane. 2010;45(2):275–295. https://doi.org/10.1075/rro.45.2.06tof

Author

Toftgaard, Anders. / Monologue à plusieurs voix : Montaigne et le dialogue. In: Revue Romane. 2010 ; Vol. 45, No. 2. pp. 275–295.

Bibtex

@article{dba3edbc17744cbfbd190f44179bbeda,
title = "Monologue {\`a} plusieurs voix: Montaigne et le dialogue",
abstract = "Noting that both the earliest readers of Montaigne{\textquoteright}s Essais and their modern counterparts have likened them to a dialogue with a friend, this article seeks to explore the work{\textquoteright}s dialogic characteristics. The humanist dialogue is an obvious precursor to the Essais, and even though Montaigne voiced dissatisfaction with Plato{\textquoteright}s dialogues, he aspired to match Plato{\textquoteright}s style, not least in achieving a conversational tone. Three different elements of dialogue are analysed : the “Dialogue of One” between the different parts of Montaigne{\textquoteright}s mind, the dialogue between the author and the writers quoted and paraphrased, and the use of direct address to the reader to invite or provoke the reader to enter into dialogue with the author. This essay is concerned to show how Montaigne uses the dialogue to create an entirely new genre, posed between monologue and dialogue.",
keywords = "Det Humanistiske Fakultet, Montaigne, apostrophe , art of citation, conversation, dialogue, Essay, Francesco Petrarca/Petrarch (1304–1374), Frederik Thorkelin (1904–1997), friendship, humanist dialogue, Les Essais, letter, Michel de Montaigne (1533–1592), monologue, Platon, reading, Socrates, soliloque, the age of dialogue, voice",
author = "Anders Toftgaard",
year = "2010",
doi = "10.1075/rro.45.2.06tof",
language = "Fransk",
volume = "45",
pages = "275–295",
journal = "Revue Romane",
issn = "0035-3906",
publisher = "John Benjamins Publishing Company",
number = "2",

}

RIS

TY - JOUR

T1 - Monologue à plusieurs voix

T2 - Montaigne et le dialogue

AU - Toftgaard, Anders

PY - 2010

Y1 - 2010

N2 - Noting that both the earliest readers of Montaigne’s Essais and their modern counterparts have likened them to a dialogue with a friend, this article seeks to explore the work’s dialogic characteristics. The humanist dialogue is an obvious precursor to the Essais, and even though Montaigne voiced dissatisfaction with Plato’s dialogues, he aspired to match Plato’s style, not least in achieving a conversational tone. Three different elements of dialogue are analysed : the “Dialogue of One” between the different parts of Montaigne’s mind, the dialogue between the author and the writers quoted and paraphrased, and the use of direct address to the reader to invite or provoke the reader to enter into dialogue with the author. This essay is concerned to show how Montaigne uses the dialogue to create an entirely new genre, posed between monologue and dialogue.

AB - Noting that both the earliest readers of Montaigne’s Essais and their modern counterparts have likened them to a dialogue with a friend, this article seeks to explore the work’s dialogic characteristics. The humanist dialogue is an obvious precursor to the Essais, and even though Montaigne voiced dissatisfaction with Plato’s dialogues, he aspired to match Plato’s style, not least in achieving a conversational tone. Three different elements of dialogue are analysed : the “Dialogue of One” between the different parts of Montaigne’s mind, the dialogue between the author and the writers quoted and paraphrased, and the use of direct address to the reader to invite or provoke the reader to enter into dialogue with the author. This essay is concerned to show how Montaigne uses the dialogue to create an entirely new genre, posed between monologue and dialogue.

KW - Det Humanistiske Fakultet

KW - Montaigne

KW - apostrophe

KW - art of citation

KW - conversation

KW - dialogue

KW - Essay

KW - Francesco Petrarca/Petrarch (1304–1374)

KW - Frederik Thorkelin (1904–1997)

KW - friendship

KW - humanist dialogue

KW - Les Essais

KW - letter

KW - Michel de Montaigne (1533–1592)

KW - monologue

KW - Platon

KW - reading

KW - Socrates

KW - soliloque

KW - the age of dialogue

KW - voice

U2 - 10.1075/rro.45.2.06tof

DO - 10.1075/rro.45.2.06tof

M3 - Tidsskriftartikel

VL - 45

SP - 275

EP - 295

JO - Revue Romane

JF - Revue Romane

SN - 0035-3906

IS - 2

ER -

ID: 33367783