Beware the beast in black: The cognitive poetics of terror in 'Night Crawler'
Research output: Contribution to journal › Journal article › Research › peer-review
Acknowledging the need for contemporary philology to expand beyond the literary canon, this article presents a stylistic analysis of Judas Priest's 'Night Crawler' within the framework of cognitive poetics (e.g. Stockwell 2002; Steen/Gavins 2003; Burke 2005; Brandt 2008; Vandaele/Brône 2009; Verdonk 2013). Focusing on application of the narrative function of terror (Radcliffe 1826) which is common in Gothic literature and other forms of verbal art that appeal to our human fear of the unknown, the analysis addresses instances of language use in song that deliberately do not observe the maxim of quantity (Grice 1975) in referring to the monstrous antagonist in the narrative told in the song. In keeping with the purpose of cognitive poetics, the analysis also proposes a number of cognitive capacities that the reader is likely to draw on when construing the vague descriptions of the monster in 'Night Crawler'.
|Journal||Philologie im Netz|
|Publication status||Published - 2015|
- Faculty of Humanities - cognitive poetics, cognitive linguistics, cognitive stylistics, stylistics, rock lyrics, English language, Judas Priest, terror as a narrative mode, degree of specificity, multiple specification, diegetic deixis, discursive deixis, presupposition, cognitive semantics, meaning construction, literary language, popular culture, metal music studies, horror as a narrative mode