Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez: Autobiographie, autofiction, autoironie

Research output: Contribution to journalJournal articleResearchpeer-review

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Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez : Autobiographie, autofiction, autoironie. / Jensen, Julio Hans C.

In: Journal of Philology and Intercultural Communication / JPIC, Vol. 1, No. 2, 2, 2017, p. 35-48.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Jensen, JHC 2017, 'Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez: Autobiographie, autofiction, autoironie', Journal of Philology and Intercultural Communication / JPIC, vol. 1, no. 2, 2, pp. 35-48.

APA

Jensen, J. H. C. (2017). Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez: Autobiographie, autofiction, autoironie. Journal of Philology and Intercultural Communication / JPIC, 1(2), 35-48. [2].

Vancouver

Jensen JHC. Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez: Autobiographie, autofiction, autoironie. Journal of Philology and Intercultural Communication / JPIC. 2017;1(2):35-48. 2.

Author

Jensen, Julio Hans C. / Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez : Autobiographie, autofiction, autoironie. In: Journal of Philology and Intercultural Communication / JPIC. 2017 ; Vol. 1, No. 2. pp. 35-48.

Bibtex

@article{f7faa6b9422d4523af6bf3c33d82ebbc,
title = "Discontinuit{\'e} et coh{\'e}sion dans Vivre pour la raconter de Gabriel Garc{\'i}a M{\'a}rquez: Autobiographie, autofiction, autoironie",
abstract = "The present contribution aims at analyzing Gabriel Garc{\'i}a M{\'a}rquez’s autobiographical work Vivir para contarla (Living to Tell the Tale) using psychoanalytic theory and Paul Ricœur’s notion of subjectivity (Soi-m{\^e}me comme un autre / Oneself as Another). By means of the analysis, Vivir para contarla is revealed as containing a high degree of fictional construction, something that gets especially clear through Garc{\'i}a M{\'a}rquez’s self-representation. Eventually this self-irony throws both an autobiographical and an autofictional light on Garc{\'i}a M{\'a}rquez’s fictional writings. In this way, Vivir para contarla endows, rather than a biographical key to it, the understanding that this author’s magic realism is a blend of lived experience and fabulation.",
keywords = "Det Humanistiske Fakultet, Gabriel Garc{\'i}a M{\'a}rquez, Vivir para contarla, Autobiography, autofiction, Paul Ricœur, philosophy of the subject",
author = "Jensen, {Julio Hans C.}",
year = "2017",
language = "Fransk",
volume = "1",
pages = "35--48",
journal = "Journal of Philology and Intercultural Communication / JPIC",
issn = "2558-8478",
number = "2",

}

RIS

TY - JOUR

T1 - Discontinuité et cohésion dans Vivre pour la raconter de Gabriel García Márquez

T2 - Autobiographie, autofiction, autoironie

AU - Jensen, Julio Hans C.

PY - 2017

Y1 - 2017

N2 - The present contribution aims at analyzing Gabriel García Márquez’s autobiographical work Vivir para contarla (Living to Tell the Tale) using psychoanalytic theory and Paul Ricœur’s notion of subjectivity (Soi-même comme un autre / Oneself as Another). By means of the analysis, Vivir para contarla is revealed as containing a high degree of fictional construction, something that gets especially clear through García Márquez’s self-representation. Eventually this self-irony throws both an autobiographical and an autofictional light on García Márquez’s fictional writings. In this way, Vivir para contarla endows, rather than a biographical key to it, the understanding that this author’s magic realism is a blend of lived experience and fabulation.

AB - The present contribution aims at analyzing Gabriel García Márquez’s autobiographical work Vivir para contarla (Living to Tell the Tale) using psychoanalytic theory and Paul Ricœur’s notion of subjectivity (Soi-même comme un autre / Oneself as Another). By means of the analysis, Vivir para contarla is revealed as containing a high degree of fictional construction, something that gets especially clear through García Márquez’s self-representation. Eventually this self-irony throws both an autobiographical and an autofictional light on García Márquez’s fictional writings. In this way, Vivir para contarla endows, rather than a biographical key to it, the understanding that this author’s magic realism is a blend of lived experience and fabulation.

KW - Det Humanistiske Fakultet

KW - Gabriel García Márquez

KW - Vivir para contarla

KW - Autobiography

KW - autofiction

KW - Paul Ricœur

KW - philosophy of the subject

M3 - Tidsskriftartikel

VL - 1

SP - 35

EP - 48

JO - Journal of Philology and Intercultural Communication / JPIC

JF - Journal of Philology and Intercultural Communication / JPIC

SN - 2558-8478

IS - 2

M1 - 2

ER -

ID: 181997419