Docudrama and the cognitive evaluation of realism

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

Docudrama and the cognitive evaluation of realism. / Grodal, Torben Kragh.

Cognitive Theory and Documentary Film. ed. / Catalin Brylla; Mette Kramer. Cham : Palgrave Macmillan, 2018. p. 75-91.

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Grodal, TK 2018, Docudrama and the cognitive evaluation of realism. in C Brylla & M Kramer (eds), Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, pp. 75-91. https://doi.org/10.1007/978-3-319-90332-3_5

APA

Grodal, T. K. (2018). Docudrama and the cognitive evaluation of realism. In C. Brylla, & M. Kramer (Eds.), Cognitive Theory and Documentary Film (pp. 75-91). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-90332-3_5

Vancouver

Grodal TK. Docudrama and the cognitive evaluation of realism. In Brylla C, Kramer M, editors, Cognitive Theory and Documentary Film. Cham: Palgrave Macmillan. 2018. p. 75-91 https://doi.org/10.1007/978-3-319-90332-3_5

Author

Grodal, Torben Kragh. / Docudrama and the cognitive evaluation of realism. Cognitive Theory and Documentary Film. editor / Catalin Brylla ; Mette Kramer. Cham : Palgrave Macmillan, 2018. pp. 75-91

Bibtex

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title = "Docudrama and the cognitive evaluation of realism",
abstract = "The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama {"}The Queen{"}.",
keywords = "Faculty of Humanities, cognitive film theory, docudrama, cognitive reception processes",
author = "Grodal, {Torben Kragh}",
year = "2018",
month = aug,
doi = "10.1007/978-3-319-90332-3_5",
language = "English",
isbn = "978-3-319-90311-6",
pages = "75--91",
editor = "Catalin Brylla and Mette Kramer",
booktitle = "Cognitive Theory and Documentary Film",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

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T1 - Docudrama and the cognitive evaluation of realism

AU - Grodal, Torben Kragh

PY - 2018/8

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N2 - The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama "The Queen".

AB - The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama "The Queen".

KW - Faculty of Humanities

KW - cognitive film theory, docudrama, cognitive reception processes

U2 - 10.1007/978-3-319-90332-3_5

DO - 10.1007/978-3-319-90332-3_5

M3 - Book chapter

SN - 978-3-319-90311-6

SP - 75

EP - 91

BT - Cognitive Theory and Documentary Film

A2 - Brylla, Catalin

A2 - Kramer, Mette

PB - Palgrave Macmillan

CY - Cham

ER -

ID: 208721144