The Byzantine Chant Heritage in Sicily: Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding

Research output: Book/ReportPh.D. thesis

Standard

The Byzantine Chant Heritage in Sicily : Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding. / Sanfratello, Giuseppe.

Det Humanistiske Fakultet, Københavns Universitet, 2017. 362 p.

Research output: Book/ReportPh.D. thesis

Harvard

Sanfratello, G 2017, The Byzantine Chant Heritage in Sicily: Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding. Det Humanistiske Fakultet, Københavns Universitet.

APA

Sanfratello, G. (2017). The Byzantine Chant Heritage in Sicily: Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding. Det Humanistiske Fakultet, Københavns Universitet.

Vancouver

Sanfratello G. The Byzantine Chant Heritage in Sicily: Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding. Det Humanistiske Fakultet, Københavns Universitet, 2017. 362 p.

Author

Sanfratello, Giuseppe. / The Byzantine Chant Heritage in Sicily : Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding. Det Humanistiske Fakultet, Københavns Universitet, 2017. 362 p.

Bibtex

@phdthesis{3e12b2483b7a41f98479006a34846c8d,
title = "The Byzantine Chant Heritage in Sicily: Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding",
abstract = "The present dissertation provides a historical ethnomusicological study on the liturgical chant tradition of the Arb{\"e}reshe communities in Sicily based on oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. As a matter of fact, the repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterize both its present oral chant administration and its historical development, and function as marker of identity among the Arb{\"e}reshe community in Sicily. Therefore, the Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission, it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might thus be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity.",
keywords = "Faculty of Humanities, Music, Chant, Byzantine chant",
author = "Giuseppe Sanfratello",
year = "2017",
month = "11",
language = "English",
publisher = "Det Humanistiske Fakultet, K{\o}benhavns Universitet",
address = "Denmark",

}

RIS

TY - BOOK

T1 - The Byzantine Chant Heritage in Sicily

T2 - Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding

AU - Sanfratello, Giuseppe

PY - 2017/11

Y1 - 2017/11

N2 - The present dissertation provides a historical ethnomusicological study on the liturgical chant tradition of the Arbëreshe communities in Sicily based on oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. As a matter of fact, the repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterize both its present oral chant administration and its historical development, and function as marker of identity among the Arbëreshe community in Sicily. Therefore, the Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission, it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might thus be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity.

AB - The present dissertation provides a historical ethnomusicological study on the liturgical chant tradition of the Arbëreshe communities in Sicily based on oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. As a matter of fact, the repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterize both its present oral chant administration and its historical development, and function as marker of identity among the Arbëreshe community in Sicily. Therefore, the Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission, it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might thus be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity.

KW - Faculty of Humanities

KW - Music

KW - Chant

KW - Byzantine chant

M3 - Ph.D. thesis

BT - The Byzantine Chant Heritage in Sicily

PB - Det Humanistiske Fakultet, Københavns Universitet

ER -

ID: 185756840