Conceiving Landscape through Film: Filmic Explorations in Design Studio Teaching

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Conceiving Landscape through Film : Filmic Explorations in Design Studio Teaching. / Farsø, Mads; Munck Petersen, Rikke.

In: Architecture and Culture, Vol. 3, No. 1, 2015, p. 65-86.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Farsø, M & Munck Petersen, R 2015, 'Conceiving Landscape through Film: Filmic Explorations in Design Studio Teaching', Architecture and Culture, vol. 3, no. 1, pp. 65-86. https://doi.org/10.2752/205078215x14236574273664

APA

Farsø, M., & Munck Petersen, R. (2015). Conceiving Landscape through Film: Filmic Explorations in Design Studio Teaching. Architecture and Culture, 3(1), 65-86. https://doi.org/10.2752/205078215x14236574273664

Vancouver

Farsø M, Munck Petersen R. Conceiving Landscape through Film: Filmic Explorations in Design Studio Teaching. Architecture and Culture. 2015;3(1):65-86. https://doi.org/10.2752/205078215x14236574273664

Author

Farsø, Mads ; Munck Petersen, Rikke. / Conceiving Landscape through Film : Filmic Explorations in Design Studio Teaching. In: Architecture and Culture. 2015 ; Vol. 3, No. 1. pp. 65-86.

Bibtex

@article{e6a95f38146f4ba1938f6b2f099f6a17,
title = "Conceiving Landscape through Film: Filmic Explorations in Design Studio Teaching",
abstract = "This article shows how the media of film can be integrated, explored and can add value to architectural design studios and practice. It elucidates how film may offer an alternative position in architecture, where landscapes and cities are thought, planned and developed in closer relation to their spatial and sensory effects on humans. It underscores that the film camera can work as a kind of amplifier of how we, with our bodies, perceive space and project space.In the “Landscape Film” Studio at University of Copenhagen the film medium was tested as a combined registration and design tool for a new Nature Park south of Copenhagen. The final studio films and designs show how resonate recordings of sound, time and a bodily presence may simulate an Einf{\"u}hling that inspires an alternative architecture of relations: the ambient, the changeable and the volatile. They also emphasize that an ability to work with bodily experience in both physical space and abstract design space is strengthened through the exploration of the film medium. Film becomes a 'resonance tool' or 'membrane' for the perceiver and conceiver, and contributes to a greater awareness of a bodily pre-consciousness in architecture. ",
keywords = "???Landskabsarkitektur???, Arkitektur, Design, Film, Krop, Tid, Lyd",
author = "Mads Fars{\o} and {Munck Petersen}, Rikke",
year = "2015",
doi = "10.2752/205078215x14236574273664",
language = "English",
volume = "3",
pages = "65--86",
journal = "Architecture and Culture",
issn = "2050-7828",
publisher = "Routledge",
number = "1",

}

RIS

TY - JOUR

T1 - Conceiving Landscape through Film

T2 - Filmic Explorations in Design Studio Teaching

AU - Farsø, Mads

AU - Munck Petersen, Rikke

PY - 2015

Y1 - 2015

N2 - This article shows how the media of film can be integrated, explored and can add value to architectural design studios and practice. It elucidates how film may offer an alternative position in architecture, where landscapes and cities are thought, planned and developed in closer relation to their spatial and sensory effects on humans. It underscores that the film camera can work as a kind of amplifier of how we, with our bodies, perceive space and project space.In the “Landscape Film” Studio at University of Copenhagen the film medium was tested as a combined registration and design tool for a new Nature Park south of Copenhagen. The final studio films and designs show how resonate recordings of sound, time and a bodily presence may simulate an Einfühling that inspires an alternative architecture of relations: the ambient, the changeable and the volatile. They also emphasize that an ability to work with bodily experience in both physical space and abstract design space is strengthened through the exploration of the film medium. Film becomes a 'resonance tool' or 'membrane' for the perceiver and conceiver, and contributes to a greater awareness of a bodily pre-consciousness in architecture.

AB - This article shows how the media of film can be integrated, explored and can add value to architectural design studios and practice. It elucidates how film may offer an alternative position in architecture, where landscapes and cities are thought, planned and developed in closer relation to their spatial and sensory effects on humans. It underscores that the film camera can work as a kind of amplifier of how we, with our bodies, perceive space and project space.In the “Landscape Film” Studio at University of Copenhagen the film medium was tested as a combined registration and design tool for a new Nature Park south of Copenhagen. The final studio films and designs show how resonate recordings of sound, time and a bodily presence may simulate an Einfühling that inspires an alternative architecture of relations: the ambient, the changeable and the volatile. They also emphasize that an ability to work with bodily experience in both physical space and abstract design space is strengthened through the exploration of the film medium. Film becomes a 'resonance tool' or 'membrane' for the perceiver and conceiver, and contributes to a greater awareness of a bodily pre-consciousness in architecture.

KW - ???Landskabsarkitektur???

KW - Arkitektur

KW - Design

KW - Film

KW - Krop

KW - Tid

KW - Lyd

U2 - 10.2752/205078215x14236574273664

DO - 10.2752/205078215x14236574273664

M3 - Journal article

VL - 3

SP - 65

EP - 86

JO - Architecture and Culture

JF - Architecture and Culture

SN - 2050-7828

IS - 1

ER -

ID: 140308664