Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Picture and counter-picture : An Attempt to Involve Context in the interpretation of Theatre Italien iconography. / Holm, Bent.

In: Theatre Research International, Vol. 22, No. 3, 1997, p. 219-233.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Holm, B 1997, 'Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography', Theatre Research International, vol. 22, no. 3, pp. 219-233.

APA

Holm, B. (1997). Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography. Theatre Research International, 22(3), 219-233.

Vancouver

Holm B. Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography. Theatre Research International. 1997;22(3):219-233.

Author

Holm, Bent. / Picture and counter-picture : An Attempt to Involve Context in the interpretation of Theatre Italien iconography. In: Theatre Research International. 1997 ; Vol. 22, No. 3. pp. 219-233.

Bibtex

@article{64c44a6ff8574a418fc58a0951254019,
title = "Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography",
abstract = "The article contains a number of examples of depictions of the French-italian commedia dell'arte fra the 17. century, put into an iconographic and mentality historical context aiming at an interpretation at two levels: On the one hand a reference to the selfrepresentation of the regime and on the other hand a derivation from the carnivalesque imagery which all together expand the understanding of the political satire in a grotesque direction implicitly contained in the pictures.",
keywords = "Faculty of Humanities, Teaterhistorie, Commedia dell'arte, Karneval, Ludvig 14., Teater ikonografi, theatre history, Commedia dell'arte, Carnivale, Ludvig 14., Theatre iconography",
author = "Bent Holm",
year = "1997",
language = "English",
volume = "22",
pages = "219--233",
journal = "Theatre Research International",
issn = "0307-8833",
publisher = "Cambridge University Press",
number = "3",

}

RIS

TY - JOUR

T1 - Picture and counter-picture

T2 - An Attempt to Involve Context in the interpretation of Theatre Italien iconography

AU - Holm, Bent

PY - 1997

Y1 - 1997

N2 - The article contains a number of examples of depictions of the French-italian commedia dell'arte fra the 17. century, put into an iconographic and mentality historical context aiming at an interpretation at two levels: On the one hand a reference to the selfrepresentation of the regime and on the other hand a derivation from the carnivalesque imagery which all together expand the understanding of the political satire in a grotesque direction implicitly contained in the pictures.

AB - The article contains a number of examples of depictions of the French-italian commedia dell'arte fra the 17. century, put into an iconographic and mentality historical context aiming at an interpretation at two levels: On the one hand a reference to the selfrepresentation of the regime and on the other hand a derivation from the carnivalesque imagery which all together expand the understanding of the political satire in a grotesque direction implicitly contained in the pictures.

KW - Faculty of Humanities

KW - Teaterhistorie

KW - Commedia dell'arte

KW - Karneval

KW - Ludvig 14.

KW - Teater ikonografi

KW - theatre history

KW - Commedia dell'arte

KW - Carnivale

KW - Ludvig 14.

KW - Theatre iconography

M3 - Journal article

VL - 22

SP - 219

EP - 233

JO - Theatre Research International

JF - Theatre Research International

SN - 0307-8833

IS - 3

ER -

ID: 37947039