The Author as Reader: Reading Auster Reading Crane

Research output: Contribution to journalJournal articleResearchpeer-review

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The Author as Reader: Reading Auster Reading Crane. / Siegumfeldt, Inge Birgitte.

In: Critique - Studies in Contemporary Fiction, Vol. 62, No. 5, 11.2021, p. 471-481.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Siegumfeldt, IB 2021, 'The Author as Reader: Reading Auster Reading Crane', Critique - Studies in Contemporary Fiction, vol. 62, no. 5, pp. 471-481. https://doi.org/10.1080/00111619.2021.1992338

APA

Siegumfeldt, I. B. (2021). The Author as Reader: Reading Auster Reading Crane. Critique - Studies in Contemporary Fiction, 62(5), 471-481. https://doi.org/10.1080/00111619.2021.1992338

Vancouver

Siegumfeldt IB. The Author as Reader: Reading Auster Reading Crane. Critique - Studies in Contemporary Fiction. 2021 Nov;62(5):471-481. https://doi.org/10.1080/00111619.2021.1992338

Author

Siegumfeldt, Inge Birgitte. / The Author as Reader: Reading Auster Reading Crane. In: Critique - Studies in Contemporary Fiction. 2021 ; Vol. 62, No. 5. pp. 471-481.

Bibtex

@article{4699d774376648e0b71f84f850c4e0f1,
title = "The Author as Reader: Reading Auster Reading Crane",
abstract = "Paul Auster{\textquoteright}s study of Stephen Crane and his work, Burning Boy, will have been released shortly before this piece appears in print and so, it serves as a critical essay cum review article to accompany the arrival of Auster{\textquoteright}s new book. “The Writer as Reader: Reading Auster Reading Crane” focuses on the subjectivity that largely determines Auster{\textquoteright}s portrait of Crane and shows that it is strongly reminiscent of a particular type of protagonist pivotal in Auster{\textquoteright}s own fiction. It is associated also with the filial anguish over missing fathers that lies at the heart of Auster{\textquoteright}s literary universe. The essay concludes that “Burning Boy is a big book, both in terms of caliber and size. Auster takes his time with Crane. No stone is left unturned, no piece left unexamined; he analyses, examines, explores, interprets and occasionally surmises. In the end, Burning Boy is less a study than a splendid accolade in the form of an important work of art.",
keywords = "Faculty of Humanities, Paul Auster, reading, Biographic writing, Stephen Crane, filial relations, intertextuality",
author = "Siegumfeldt, {Inge Birgitte}",
year = "2021",
month = nov,
doi = "10.1080/00111619.2021.1992338",
language = "English",
volume = "62",
pages = "471--481",
journal = "Critique: Studies in Contemporary Fiction",
issn = "0011-1619",
publisher = "Routledge",
number = "5",

}

RIS

TY - JOUR

T1 - The Author as Reader: Reading Auster Reading Crane

AU - Siegumfeldt, Inge Birgitte

PY - 2021/11

Y1 - 2021/11

N2 - Paul Auster’s study of Stephen Crane and his work, Burning Boy, will have been released shortly before this piece appears in print and so, it serves as a critical essay cum review article to accompany the arrival of Auster’s new book. “The Writer as Reader: Reading Auster Reading Crane” focuses on the subjectivity that largely determines Auster’s portrait of Crane and shows that it is strongly reminiscent of a particular type of protagonist pivotal in Auster’s own fiction. It is associated also with the filial anguish over missing fathers that lies at the heart of Auster’s literary universe. The essay concludes that “Burning Boy is a big book, both in terms of caliber and size. Auster takes his time with Crane. No stone is left unturned, no piece left unexamined; he analyses, examines, explores, interprets and occasionally surmises. In the end, Burning Boy is less a study than a splendid accolade in the form of an important work of art.

AB - Paul Auster’s study of Stephen Crane and his work, Burning Boy, will have been released shortly before this piece appears in print and so, it serves as a critical essay cum review article to accompany the arrival of Auster’s new book. “The Writer as Reader: Reading Auster Reading Crane” focuses on the subjectivity that largely determines Auster’s portrait of Crane and shows that it is strongly reminiscent of a particular type of protagonist pivotal in Auster’s own fiction. It is associated also with the filial anguish over missing fathers that lies at the heart of Auster’s literary universe. The essay concludes that “Burning Boy is a big book, both in terms of caliber and size. Auster takes his time with Crane. No stone is left unturned, no piece left unexamined; he analyses, examines, explores, interprets and occasionally surmises. In the end, Burning Boy is less a study than a splendid accolade in the form of an important work of art.

KW - Faculty of Humanities

KW - Paul Auster

KW - reading

KW - Biographic writing

KW - Stephen Crane

KW - filial relations

KW - intertextuality

U2 - 10.1080/00111619.2021.1992338

DO - 10.1080/00111619.2021.1992338

M3 - Journal article

VL - 62

SP - 471

EP - 481

JO - Critique: Studies in Contemporary Fiction

JF - Critique: Studies in Contemporary Fiction

SN - 0011-1619

IS - 5

ER -

ID: 285793193