Looking like a Woman, Dancing like a Painting, Footing the Renaissance: Isadora Duncan and Botticelli's Primavera

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Looking like a Woman, Dancing like a Painting, Footing the Renaissance : Isadora Duncan and Botticelli's Primavera. / Østermark-Johansen, Lene.

I: 19: Interdisciplinary Studies in the Long Nineteenth Century, Bind 34, 2023.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Østermark-Johansen, L 2023, 'Looking like a Woman, Dancing like a Painting, Footing the Renaissance: Isadora Duncan and Botticelli's Primavera', 19: Interdisciplinary Studies in the Long Nineteenth Century, bind 34. https://doi.org/10.16995/ntn.8608

APA

Østermark-Johansen, L. (2023). Looking like a Woman, Dancing like a Painting, Footing the Renaissance: Isadora Duncan and Botticelli's Primavera. 19: Interdisciplinary Studies in the Long Nineteenth Century, 34. https://doi.org/10.16995/ntn.8608

Vancouver

Østermark-Johansen L. Looking like a Woman, Dancing like a Painting, Footing the Renaissance: Isadora Duncan and Botticelli's Primavera. 19: Interdisciplinary Studies in the Long Nineteenth Century. 2023;34. https://doi.org/10.16995/ntn.8608

Author

Østermark-Johansen, Lene. / Looking like a Woman, Dancing like a Painting, Footing the Renaissance : Isadora Duncan and Botticelli's Primavera. I: 19: Interdisciplinary Studies in the Long Nineteenth Century. 2023 ; Bind 34.

Bibtex

@article{8afbeab9412349208821d6a7368ad093,
title = "Looking like a Woman, Dancing like a Painting, Footing the Renaissance: Isadora Duncan and Botticelli's Primavera",
abstract = "A print of Botticelli{\textquoteright}s painting La Primavera in the dancer Isadora Duncan{\textquoteright}s childhood home had a fundamental impact on her development of modern dance. This article explores Duncan{\textquoteright}s dance and costume based on La Primavera in conjunction with other neo-Renaissance dancers (Sacharoff and Sachetti) and Aby Warburg{\textquoteright}s interest in the Florentine nymph and moving draperies, arguing for the importance of studying the old masters, of looking like a woman, and embracing continued renascences.",
keywords = "Faculty of Humanities, Isadora Duncan, Sandro Botticelli, Florence, Renaissance reception, modern dance",
author = "Lene {\O}stermark-Johansen",
year = "2023",
doi = "10.16995/ntn.8608",
language = "English",
volume = "34",
journal = "19: Interdisciplinary Studies in the Long Nineteenth Century",

}

RIS

TY - JOUR

T1 - Looking like a Woman, Dancing like a Painting, Footing the Renaissance

T2 - Isadora Duncan and Botticelli's Primavera

AU - Østermark-Johansen, Lene

PY - 2023

Y1 - 2023

N2 - A print of Botticelli’s painting La Primavera in the dancer Isadora Duncan’s childhood home had a fundamental impact on her development of modern dance. This article explores Duncan’s dance and costume based on La Primavera in conjunction with other neo-Renaissance dancers (Sacharoff and Sachetti) and Aby Warburg’s interest in the Florentine nymph and moving draperies, arguing for the importance of studying the old masters, of looking like a woman, and embracing continued renascences.

AB - A print of Botticelli’s painting La Primavera in the dancer Isadora Duncan’s childhood home had a fundamental impact on her development of modern dance. This article explores Duncan’s dance and costume based on La Primavera in conjunction with other neo-Renaissance dancers (Sacharoff and Sachetti) and Aby Warburg’s interest in the Florentine nymph and moving draperies, arguing for the importance of studying the old masters, of looking like a woman, and embracing continued renascences.

KW - Faculty of Humanities

KW - Isadora Duncan

KW - Sandro Botticelli

KW - Florence

KW - Renaissance reception

KW - modern dance

U2 - 10.16995/ntn.8608

DO - 10.16995/ntn.8608

M3 - Journal article

VL - 34

JO - 19: Interdisciplinary Studies in the Long Nineteenth Century

JF - 19: Interdisciplinary Studies in the Long Nineteenth Century

ER -

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