Pater and the Painterly: Imaginary Portraits

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Standard

Pater and the Painterly: Imaginary Portraits. / Østermark-Johansen, Lene.

I: English Literature in Transition, 1880-1920, Bind 56, Nr. 3, 07.2013, s. 343-54.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Østermark-Johansen, L 2013, 'Pater and the Painterly: Imaginary Portraits', English Literature in Transition, 1880-1920, bind 56, nr. 3, s. 343-54. <http://search.ebscohost.com.ep.fjernadgang.kb.dk/login.aspx?direct=true&db=a9h&AN=88850809&site=ehost-live>

APA

Østermark-Johansen, L. (2013). Pater and the Painterly: Imaginary Portraits. English Literature in Transition, 1880-1920, 56(3), 343-54. http://search.ebscohost.com.ep.fjernadgang.kb.dk/login.aspx?direct=true&db=a9h&AN=88850809&site=ehost-live

Vancouver

Østermark-Johansen L. Pater and the Painterly: Imaginary Portraits. English Literature in Transition, 1880-1920. 2013 jul.;56(3):343-54.

Author

Østermark-Johansen, Lene. / Pater and the Painterly: Imaginary Portraits. I: English Literature in Transition, 1880-1920. 2013 ; Bind 56, Nr. 3. s. 343-54.

Bibtex

@article{54ee82eee5b146ee943e4cc23dc9585f,
title = "Pater and the Painterly: Imaginary Portraits",
abstract = "The article presents a literary criticism of Walter Pater's {"}Imaginary Portraits{"} which remained vibrant with a new French translation in 1930, a Castilian one in 1942 and two more Italian translations in 1944 and 1994. It focuses on 2 important aspects of his short fiction namely its contemporary reception in 1887 and his use of portraiture which hovers around the framed and the fluid. It notes how Pater asserts his mature omnipotence as a writer while crushing one young life after another.",
keywords = "Faculty of Humanities, Walter Pater, reception of Imaginary Portraits, Imaginary Portraits, aestheticism, type vs individual",
author = "Lene {\O}stermark-Johansen",
year = "2013",
month = jul,
language = "English",
volume = "56",
pages = "343--54",
journal = "English Literature in Transition, 1880-1920",
issn = "0013-8339",
publisher = "E L T Press",
number = "3",

}

RIS

TY - JOUR

T1 - Pater and the Painterly: Imaginary Portraits

AU - Østermark-Johansen, Lene

PY - 2013/7

Y1 - 2013/7

N2 - The article presents a literary criticism of Walter Pater's "Imaginary Portraits" which remained vibrant with a new French translation in 1930, a Castilian one in 1942 and two more Italian translations in 1944 and 1994. It focuses on 2 important aspects of his short fiction namely its contemporary reception in 1887 and his use of portraiture which hovers around the framed and the fluid. It notes how Pater asserts his mature omnipotence as a writer while crushing one young life after another.

AB - The article presents a literary criticism of Walter Pater's "Imaginary Portraits" which remained vibrant with a new French translation in 1930, a Castilian one in 1942 and two more Italian translations in 1944 and 1994. It focuses on 2 important aspects of his short fiction namely its contemporary reception in 1887 and his use of portraiture which hovers around the framed and the fluid. It notes how Pater asserts his mature omnipotence as a writer while crushing one young life after another.

KW - Faculty of Humanities

KW - Walter Pater

KW - reception of Imaginary Portraits

KW - Imaginary Portraits

KW - aestheticism

KW - type vs individual

M3 - Journal article

VL - 56

SP - 343

EP - 354

JO - English Literature in Transition, 1880-1920

JF - English Literature in Transition, 1880-1920

SN - 0013-8339

IS - 3

ER -

ID: 45875516