Walter Pater and the Language of Sculpture

Publikation: Bog/antologi/afhandling/rapportBogForskningfagfællebedømt

Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. It brings together Pater's aesthetic theories with his theories on language and writing, to demonstrate how his ideas of the visual and written language are closely linked. Going beyond Pater's views on sculpture as an art form, this study traces the notion of relief (rilievo) and hybrid form in Pater, and his view of the writer as sculptor, a carver in language. Alongside her treatment of rilievo as a pervasive trope, Lene Østermark-Johansen also employs the idea of rivalry (paragone) more broadly, examining Pater's concern with positioning himself as an art critic in the late Victorian art world. Situating Pater within centuries of European aesthetic theories as never before done, Walter Pater and the Language of Sculpture throws new light on the extraordinary complexity and coherence of Pater's writing: the critic is repositioned solidly within Victorian art and literature.
Bidragets oversatte titelWalter Pater og sprogets skulptur
Antal sider364
ISBN (Trykt)978-1-4094-0584-9
StatusUdgivet - 21 jul. 2011
NavnBritish Art: Global Contexts

Note vedr. afhandling

Disputats, der forsvares d. 28 sept. 2012


  • Det Humanistiske Fakultet - Walter Pater, Style, Sculpture, Art criticism, Decadence, Aestheticism, Archaeology, Form, Translation, Painting, Paragone, Reception of the Renaissance, Reception of Antiquity

ID: 33825598