‘Two Armies flye in…’: Battle scenes in English Renaissance theatre

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‘Two Armies flye in…’ : Battle scenes in English Renaissance theatre. / Dahl, Christian.

I: Orbis Litterarum, Bind 78, Nr. 5, 2023, s. 368-383.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Dahl, C 2023, '‘Two Armies flye in…’: Battle scenes in English Renaissance theatre', Orbis Litterarum, bind 78, nr. 5, s. 368-383. https://doi.org/10.1111/oli.12404

APA

Dahl, C. (2023). ‘Two Armies flye in…’: Battle scenes in English Renaissance theatre. Orbis Litterarum, 78(5), 368-383. https://doi.org/10.1111/oli.12404

Vancouver

Dahl C. ‘Two Armies flye in…’: Battle scenes in English Renaissance theatre. Orbis Litterarum. 2023;78(5):368-383. https://doi.org/10.1111/oli.12404

Author

Dahl, Christian. / ‘Two Armies flye in…’ : Battle scenes in English Renaissance theatre. I: Orbis Litterarum. 2023 ; Bind 78, Nr. 5. s. 368-383.

Bibtex

@article{f9f0b29e012a4bf2bc5b460ed5059fa6,
title = "{\textquoteleft}Two Armies flye in…{\textquoteright}: Battle scenes in English Renaissance theatre",
abstract = "One of the most spectacular characteristics of English Renaissance theatre is the propensity for battle scenes. Between 1576 and 1616, battle scenes appear in a third of all surviving plays and, judging from the titles, the fre- quency may have been even higher in the lost plays. The popularity of battle scenes is indicative both of early mod- ern fascination with history as spectacle and of the im- minence of contemporary warfare, especially in the final decades of the reign of Elizabeth I. Based on quantitative studies, this paper offers a survey of the evolution and pro- liferation of battle scenes in the late sixteenth and early seventeenth centuries, and I will critically assess the gen- eral assumption that battle scenes eventually waned from the early modern stage as a consequence of the ascent to the throne of the peace-seeking James I. For reasons to be discussed, it is quite unlikely that James's doctrine on foreign politics had any significant effect on the staging of war in theatre.",
keywords = "Faculty of Humanities, early modern theatre, Shakespeare (William), War and art, literary history, stage direction",
author = "Christian Dahl",
year = "2023",
doi = "10.1111/oli.12404",
language = "English",
volume = "78",
pages = "368--383",
journal = "Orbis Litterarum",
issn = "0105-7510",
publisher = "Wiley",
number = "5",

}

RIS

TY - JOUR

T1 - ‘Two Armies flye in…’

T2 - Battle scenes in English Renaissance theatre

AU - Dahl, Christian

PY - 2023

Y1 - 2023

N2 - One of the most spectacular characteristics of English Renaissance theatre is the propensity for battle scenes. Between 1576 and 1616, battle scenes appear in a third of all surviving plays and, judging from the titles, the fre- quency may have been even higher in the lost plays. The popularity of battle scenes is indicative both of early mod- ern fascination with history as spectacle and of the im- minence of contemporary warfare, especially in the final decades of the reign of Elizabeth I. Based on quantitative studies, this paper offers a survey of the evolution and pro- liferation of battle scenes in the late sixteenth and early seventeenth centuries, and I will critically assess the gen- eral assumption that battle scenes eventually waned from the early modern stage as a consequence of the ascent to the throne of the peace-seeking James I. For reasons to be discussed, it is quite unlikely that James's doctrine on foreign politics had any significant effect on the staging of war in theatre.

AB - One of the most spectacular characteristics of English Renaissance theatre is the propensity for battle scenes. Between 1576 and 1616, battle scenes appear in a third of all surviving plays and, judging from the titles, the fre- quency may have been even higher in the lost plays. The popularity of battle scenes is indicative both of early mod- ern fascination with history as spectacle and of the im- minence of contemporary warfare, especially in the final decades of the reign of Elizabeth I. Based on quantitative studies, this paper offers a survey of the evolution and pro- liferation of battle scenes in the late sixteenth and early seventeenth centuries, and I will critically assess the gen- eral assumption that battle scenes eventually waned from the early modern stage as a consequence of the ascent to the throne of the peace-seeking James I. For reasons to be discussed, it is quite unlikely that James's doctrine on foreign politics had any significant effect on the staging of war in theatre.

KW - Faculty of Humanities

KW - early modern theatre

KW - Shakespeare (William)

KW - War and art

KW - literary history

KW - stage direction

U2 - 10.1111/oli.12404

DO - 10.1111/oli.12404

M3 - Journal article

VL - 78

SP - 368

EP - 383

JO - Orbis Litterarum

JF - Orbis Litterarum

SN - 0105-7510

IS - 5

ER -

ID: 362061798